“We decided to make an NFT collection under the umbrella of Web3.0,” Yurdakul said.
“At some points, we worked like those visionary, innovative engineers who produced the same Anadol STC-16. We used the museum as a mirror reflecting the industrial heritage from past to present. STC-16 was a subject at the center of our project and its reflections were actually reaching us through this mirror.
This design-oriented approach of STC, the fact that it was produced in limited numbers and has a collection value, provided us with data as an NFT project. In fact, in many ways, we think that we have put our signature under an exemplary project in terms of museology, protection and transport of industrial heritage from the past to the future.”
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